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dead headphonist

BCAR: Elephant Shell

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Back Catalog Album Review:

Tokyo Police Club : Elephant Shell

eshell.jpgI had never heard of Tokyo Police Club.  To be honest, I had never even hear their music.  What kept happening to me, however, were various music recommendation sites that kept kicking this disk up based on knowing about some of the other things I like.  I will tell you;  I’m not disappointed that I bought this disk.

What it reminds me of is a more melodic and less tripped out Neutral Milk Hotel combined with some of the British rock sensibilities floating around as of  late.  The disk starts out with “Centennial”, which is an up-beat track with meandering lyrics that fit well on top of a very dance-able track.

Next up is more bouncy, meandering pop in “In A Cave”, but with an addictive melodic line, even if there really isn’t any hook to be found.  As soon as I learn the lyrics, I’ll be singing along.  This track reminds of upbeat Death Cab For Cutie.

The third track, “Graves” mixes the current sounds of the rock scene together.  This song reminds of me a lot of Neutral Milk Hotel, but with a definite bent toward Modest Mouse with those freaking synths thrown in that finally sound like they are in the right place.

All the songs on the album are wonderfully sweet (and sadly, short).  The more I listen to this album, the more excited I am about the future of music.  Tokyo Police Club are the latest in a long line of bands carrying the obtuse pop-rock torch (what used to be called “alternative” or “modern rock”).  This album jerks, sways, and generally grooves through and through.

Production values are as good as can be expected these days.  There are no sequences so distorted that they are distracting (unlike some other really excellent disks I own… you hear that Amy Winehouse?!?!).

The only song I’ve found so far that I feel is a little weak is “Sixties Remake”, which seems to just be a mashup of their other tunes, except without that hooky melodic line that seems to be their trademark.  Everything else will end up on my MP3 player.

“Your English Is Good” is probably -the- standout track on the album.  The arrangement is excellent, the lyrics are well written and it perfectly exemplifies what I believe the band is trying to communicate musically.  I also dig upbeat tracks with lots of emotion.

The package came with a remix disk that I haven’t spent any time with.  A quick review shows that it is standard fare, interesting but no where near the meat and potatoes of the album.

The disk can be purchased here at Amazon (no… I don’t get anything for you buying from this link).

The band’s website is here.

dead headphonist

BCAR: Consolers of the Lonely

Current Mood:Chillin emoticon Chillin

Back Catalog Album Review :

The Raconteurs - Consolers of the Lonely

I’m now on my second listen The Raconteurs latest commitment to the musical world. Consolers of the Lonely is, in my opinion, sonically superior to anything any of them have done either together or separately. There are some really excellent musical moments here. There’s also a lot to be said for just simply rocking out, and they definitely do that; a lot.

After two rockers (the title track and “Salute Your Solution”), there’s a well-composed, if not almost formulaic, piano ballad called “You Don’t Understand Me” that could have been comfortably on a 70’s Wings album. Not that it’s a bad thing or a bad track. There is definitely not a bad track on the disc, but if I had to identify a “not-as-strong” track this would be it.

The Raconteurs are showing wonderful maturity in composition and arrangement. They have graduated from the Jack White formula of obtuse odd-rock that is so much of what The White Stripes are about and moved into much more organic, root/blues-based meters and feels. This disc simply grooves. I don’t mean to come down on The White Stripes, I like what they do, but the first Raconteurs disc was highly influenced by the particular styles of the bands the members are a part of. This disc however has its own identity, is really excellently written and produced, and is quite simply one of the best discs this year.

consoler.jpg“The Switch and the Spur” has horns. Tasty, well-written horns (the trumpet refrain, of course, is one of my personal favorites). There’s simply nothing wrong with that. I’m really digging the trend lately to re-introduce traditional instruments in popular music.

The balance of rockers to thoughtful arty pieces is really good. It’s amazing to me that these guys recorded and produced this album in only two three week sessions. They are definitely a hard-working group.

They have an expanded tour this summer, so I’m hoping to see them live in person. We’ve seen them on Austin City Limits and Jools Holland. I can attest that their live show, at least when televised, is really really good. I’d be really geeked to hear some of these tracks live.

Incidentally, the first Raconteurs discs is still one of my favorites. This one is just better.