Tag Archive for 'review'

dead headphonist

Hopcat - Review

I had heard mixed reviews of one of our local watering holes, Hopcat. Several people complained of various grievances regarding everything from service to the kitchen to the price of beer. Looking at the menu, however, convinced me to give it a try of my own.

I’m the type of person who finds many things that the critics dislike on my list of more enjoyable. Typically, because of this, I find myself not bothering with others’ opinions except to set a baseline or to compare notes to afterwards. I still like to make my own opinion. This is one of those situations.

When I arrived, my party hadn’t shown up yet, so I made my way to bar after locating the requisite chalkboard with the current offerings. After flagging down a barkeep, the evening was started with a well-drawn Fuller’s London Porter. The beer was as is to be expected but served a little too cold; a problem that soon rectifies itself. Beer served too cold is an American thing. It’s hard to find a place that doesn’t.

The room is nice; the interior design is contemporary with alcohol advertisements on raised board on the ceiling, providing both decoration and acoustic management for the high-ceiling narrow room. The bar is beautiful, seating is comfortable and there is room for large parties. There is a typical beer hall table near the front door.

It was the middle of the week, but there were still a fair number of people there, showing that it is a rather popular hang-out. Situated along a row of other bars and clubs, they have the advantage of being one of a number of drinking holes in a very small area.

Hopcat has glass wash stations underneath each tap and give their glasses a good rinse before the beer hits them. This is a nice touch as it ensures there no dust in the glass. Not many bars have this attention to detail.

The beer selection was global, showing a huge number of styles, types, and breweries ranging from local Michigan brew to the UK selections to German beverages. The board was organized by type, which helps with picking from the nearly 50 beers that they have on tap. If for some reason you can’t find something in this crop, they also feature a number of bottles. On this trip, I did not even peruse the bottle selection.

After our party arrived, we ordered dinner. Everyone was impressed with their dish, and it seems the Macaroni and Cheese was a large hit. I didn’t have it, but rather had a cup of tomato bisque with a veggie burrito.

The tomato bisque was extremely tasty, but could have used a run in the blender for a little longer to make it smoother. It was served with bleu cheese, which was something wonderfully different. I really don’t want to have tomato bisque without it now. It -was- that good.

The veggie burrito was your run-of-the-mill “wet” burrito, with what was likely a canned burrito sauce. It was only remarkable by the plethora of veggies and the beans which were cooked in some kind of chipotle sauce. This made the burrito something a little different, and it was tasty. I would order it again… eventually, but there are a number of other selections on the menu to try first.

What is most impressive to me is the knowledge that the barkeeps and waitstaff have on the beer. I usually don’t take suggestions from people I don’t know on beer, but on one of the beers I tried, I took a barkeeps suggestion; Stone 12 year Anniversary brew. It was one of the best beers I’ve had in a while. The barkeep’s “nom nom” eyes-rolling-back suggestion was correct. It was a very good beer.

The person who waited our table was also very knowledgeable about all sorts of beer, even things they didn’t have. It’s always good to talk to someone else who is passionate about beer, and I can’t say I was any kind of disappointed with the evening.

Overall, if Ashley’s in Ann Arbor were used as the 5 star reference, Hopcat would easily walk away with 3 ½ stars, if not 4 (this remains to be seen on another visit though). Prices are typical for a downtown “trendy” watering hole; a bit more than you will pay at your neighborhood bar.  I didn’t feel an instant “this is home” vibe from the place because of its distinctly upscale atmosphere, but the selection of beers is good, the waitstaff is nice and knowledgeable, and the food is good enough for a night out with friends.

We will be returning on the Friday after Thanksgiving for an acoustic show with some of the guys from Domestic Problems.

dead headphonist

Gearhead Review : Bumstead Imperial Guitar

Current Mood:Happy emoticon Happy

I’ve waited some time to put this review together. I wanted to give the guitar a fair shake and get it setup the way I wanted it.

guitar.jpgA few months back, I did some cleaning up around here and raised enough funds to do something I’ve wanted to do for a very long time, buy a shiny new guitar. I’ve always had an unhealthy infatuation with the venerable Gibson Les Paul, but I’ve always been too cash poor in my instrument fund to buy most anything from Gibson. Now I’m kind of happy I am.

The most wonderful guitar that I’ve ever put my hands on has been the Heritage H150, from our previous home town of Kalamazoo, MI. The H150 is basically an “original” Les Paul, made in the way (and with the actual tools and by the actual luthiers in some cases) as those vintage Pauls that go for thousands in your local used shop. Of course, this guitar is fairly clearly outside of my budget. Some day, when I get good enough to own such an instrument (and possible a couple of notches richer), I will probably buy just out of “dream” status more than anything else.

So in my travels, I’ve played guitars like a 50’s Goldtop that a friend had, a number of “modern” models of Studios, Classics, and Deluxes, and I’ve even spent a little time with most of the representatives from the Epiphone line, some of which aren’t too bad. Most Epi’s I’ve played when compared with the “real deal” seem to lack a solidness in the neck, clean workmanship and they definitely lack the same sustain that the Gibson’s have.

So when it came time to get a guitar, I had done my homework. I’d played a whole bunch of guitars; ESP’s (which I liked), Gibsons (which we out of my price range), Epiphones (which I talked about above), and PRS (which are nice, but also outside my price range). I then started doing internet research to see if there was anything else out there that might fit the bill, seeing as how “settling” on an Epiphone just didn’t seem right.

I found several different makers that imported cheap guitars in flashy colors and sold them mostly on ebay and through their website. Nice looking stuff, with halfway decent electronics, but contacting them with questions got me nowhere. I was feeling that I could experiment with my purchase (I just wasn’t that excited about stuff that was less than $1k), but not -that- much.

One of the places that I had looked at when originally looking at guitars was Bumstead Guitars, here in Michigan. All they had was an SG, which I’ve tried and not really liked. Not sure what it is, but it just doesn’t sing “this is my guitar”. I kind of wrote them off, but kept checking back out of curiosity. Then, one day, while looking at Alex West, I decided to drop by Bumstead and check out what they had. To my surprise, they had begun selling the venerable Les Paul design… and with a built-in distortion circuit that didn’t sound bad!

The guitar had all the markings of a great guitar (at an unreal price). Standard Paul setup, dual humbucker, three-way switch, and nitro finish. All for around $700. I sent a couple of e-mails back and forth with Sean (the owner) and he answered all my questions promptly and even offered to meet up so I could play the guitar before I bought it. Given his answers, the fact that Bumstead is a Michigan company, the features of the guitar, and the price, I bought it sight unseen.

It was packed well and arrived hand-carried by USPS. I instantly took it out and plugged in. Hmm… bit too much buzz and I sometimes play with a slide. I figured I’d have to take it somewhere to set it up right. The overdrive circuit is surprisingly buttery sweet. I use amp modeling software to play (cheaper than a whole bunch of amps and I don’t play out at the moment) and found that I like the overdrive in the guitar (on the lower settings anyway) better than some of the OD’s in the modeling software.

The sustain in this guitar is simply sick. It really runs circles around my Frankencaster. The fit and finish is as good as any quality guitar I’ve ever seen (it is orders of magnitude better than any Epi). The binding is well done and the frets are flawless. The hardware is top class stuff, as good as any guitar three times its price. Beyond what it looks like, it plays excellently (I end up setting it up myself after reading a few things on how to do it). The guitar is lighter than a Gibson. The wood used seems to resonate more than the wood used in Gibsons and it’s much easier on the back.

I had a musician friend over to lay out some vocals and was showing him the Bumstead. He was absolutely amazed at the tone. I think he’s now wondering when I’ll be good enough to play the music that we each have rolling around in the back of our minds.

I’m certainly not even a good guitar player, but I’ve been able to really make this guitar say “this is my guitar”. It’s going to be a great instrument to own and play for years to come.

dead headphonist

BCAR: Elephant Shell

Current Mood:Chillin emoticon Chillin

Back Catalog Album Review:

Tokyo Police Club : Elephant Shell

eshell.jpgI had never heard of Tokyo Police Club.  To be honest, I had never even hear their music.  What kept happening to me, however, were various music recommendation sites that kept kicking this disk up based on knowing about some of the other things I like.  I will tell you;  I’m not disappointed that I bought this disk.

What it reminds me of is a more melodic and less tripped out Neutral Milk Hotel combined with some of the British rock sensibilities floating around as of  late.  The disk starts out with “Centennial”, which is an up-beat track with meandering lyrics that fit well on top of a very dance-able track.

Next up is more bouncy, meandering pop in “In A Cave”, but with an addictive melodic line, even if there really isn’t any hook to be found.  As soon as I learn the lyrics, I’ll be singing along.  This track reminds of upbeat Death Cab For Cutie.

The third track, “Graves” mixes the current sounds of the rock scene together.  This song reminds of me a lot of Neutral Milk Hotel, but with a definite bent toward Modest Mouse with those freaking synths thrown in that finally sound like they are in the right place.

All the songs on the album are wonderfully sweet (and sadly, short).  The more I listen to this album, the more excited I am about the future of music.  Tokyo Police Club are the latest in a long line of bands carrying the obtuse pop-rock torch (what used to be called “alternative” or “modern rock”).  This album jerks, sways, and generally grooves through and through.

Production values are as good as can be expected these days.  There are no sequences so distorted that they are distracting (unlike some other really excellent disks I own… you hear that Amy Winehouse?!?!).

The only song I’ve found so far that I feel is a little weak is “Sixties Remake”, which seems to just be a mashup of their other tunes, except without that hooky melodic line that seems to be their trademark.  Everything else will end up on my MP3 player.

“Your English Is Good” is probably -the- standout track on the album.  The arrangement is excellent, the lyrics are well written and it perfectly exemplifies what I believe the band is trying to communicate musically.  I also dig upbeat tracks with lots of emotion.

The package came with a remix disk that I haven’t spent any time with.  A quick review shows that it is standard fare, interesting but no where near the meat and potatoes of the album.

The disk can be purchased here at Amazon (no… I don’t get anything for you buying from this link).

The band’s website is here.

dead headphonist

BCAR: Consolers of the Lonely

Current Mood:Chillin emoticon Chillin

Back Catalog Album Review :

The Raconteurs - Consolers of the Lonely

I’m now on my second listen The Raconteurs latest commitment to the musical world. Consolers of the Lonely is, in my opinion, sonically superior to anything any of them have done either together or separately. There are some really excellent musical moments here. There’s also a lot to be said for just simply rocking out, and they definitely do that; a lot.

After two rockers (the title track and “Salute Your Solution”), there’s a well-composed, if not almost formulaic, piano ballad called “You Don’t Understand Me” that could have been comfortably on a 70’s Wings album. Not that it’s a bad thing or a bad track. There is definitely not a bad track on the disc, but if I had to identify a “not-as-strong” track this would be it.

The Raconteurs are showing wonderful maturity in composition and arrangement. They have graduated from the Jack White formula of obtuse odd-rock that is so much of what The White Stripes are about and moved into much more organic, root/blues-based meters and feels. This disc simply grooves. I don’t mean to come down on The White Stripes, I like what they do, but the first Raconteurs disc was highly influenced by the particular styles of the bands the members are a part of. This disc however has its own identity, is really excellently written and produced, and is quite simply one of the best discs this year.

consoler.jpg“The Switch and the Spur” has horns. Tasty, well-written horns (the trumpet refrain, of course, is one of my personal favorites). There’s simply nothing wrong with that. I’m really digging the trend lately to re-introduce traditional instruments in popular music.

The balance of rockers to thoughtful arty pieces is really good. It’s amazing to me that these guys recorded and produced this album in only two three week sessions. They are definitely a hard-working group.

They have an expanded tour this summer, so I’m hoping to see them live in person. We’ve seen them on Austin City Limits and Jools Holland. I can attest that their live show, at least when televised, is really really good. I’d be really geeked to hear some of these tracks live.

Incidentally, the first Raconteurs discs is still one of my favorites. This one is just better.